Friday, September 10, 2010

A Swarm of the Sun | Zenith


1. Lifeline
2. This One Has No Heart
3. Refuge
4. The Stand
5. Zenith
6. Repeater
7. The Worms are Out
8. Lifeproof Houses
9. I Fear the End
10. Reaper

Two guys from Sweden. Seriously, can the Swedes do ANY wrong?

This record is dark and minimalistic. It's dreary and sad.

And really enjoyable.

It sounds like a combination of Callisto, Tool, Logh, and post-rock in general.

I would recommend it to anybody that likes any of those things.

Stand out tracks are "Lifeline", "Repeater", and "Reaper", the concluding track that makes me want to spend my entire day void of any sunlight, under thick covers. Check this CD out.

Monday, August 16, 2010

Envy | Recitation


Well look at that. Just a couple weeks later and here we are. I'm posting my thoughts about Recitation, the brand new Envy album. Honestly, I don't think the CD is even close to be fully lodged into my heart, but when that time comes, I can always make another post in the future.

Let's get one thing straight, and get this out of the way...

Personally, Envy will never top Insomniac Doze. Sure, to you it may not be their best record, as most screamo fans will agree that All the Footsteps You've Ever Left and the Fear Expecting Ahead is their greatest achievement, and I'm sure tons of people who got sucked into this band in 2003 agree that A Dead Sinking Story is their most monumental and iconic album, and extremely nostalgic to say the least. Hell, I wouldn't even be surprised if there are assholes who think this band died after From Here to Eternity. To each his own. All that I know is that Insomniac Doze is truly that 'album-never-to-be-topped- album, for me. Moving on...

Recitation is incredible.

Recitation is diverse, as well. There are definitely a few connecting aspects of the record though, and one huge thing that I find very new about this CD its' overall mood: dare I say......uplifting?

Envy have been a band literally known to make grown adults cry at live shows. Not many bands are known for doing that. What you might not know is that Envy is a band that can make me cry just from listening to their music on CD or mp3 format. Now I may be a hopeless emotional Italian, and tend to get very moody when listening to beautiful music, but if you're able to make me want to grasp my face and weep into my hands with your music, you are doing something amazing.

Normally, with Envy, especially on Insomniac Doze fills my world with gorgeously painted sadness. The melodies throughout that entire album are filled with so much emotional grief and sorrow. The most melancholic and epic parts intertwined to make one heaping pile of devastation. It makes me want to weep.

On Recitation, Envy make me want to weep tears of HOPE. Something I never imagined weeping about.

Just from the initial notes from the piano on "Guidance", I suddenly get a feeling of a new perspective from the members in this band. Sure, the intro to this CD can be translated as something quite sad, but I see it differently, especially given the song title. Even the slow, and foreshadowing build of "Last Hours of Eternity" fill me with feelings of change happening (although it feels as if this song is actually foreshadowing this band calling it quits soon, hence their long career, and the name of their debut lp). This track also is a combination of "A Warm Room" off of Insomniac Doze, and an epic piece from Mono, another incredible japanese band, strings and all. Needless to say, it's fucking WONDERFUL.

The following song "Rain Clouds Running in a Holy Night" is where the band begins to further pick up tempo and mood. The 'chorus' of the song, which suddenly turns into the climax of the song after the gorgeous, orchestral, three guitar build up, is one of the cheeriest and joyous things I've ever heard from this band. Tetsuya Fukagawa's vocals over this section brings a huge smile to my face. With each Envy album, his voice gets deeper, and with Recitation, there's no exception. Fukagawa's screams are nearly barbaric at this point, yet are still as emotional as they've always been.

After the awesome and almost chaotic "Pieces of the Moon I Weaved" comes another near masterpiece from the band called "Light and Solitude". Structure wise, the song is very typical. Yes, I'll spoil it: it's five minutes of soft drums, guitars playing beautifully until finally drums build up and the whole song explodes at the very end for two minutes. So why consider it nearly a masterpiece? THE MELODIES. And it's amazing how they stick with you. You do not understand until you hear the song finally start to build up. It sounds like heaven and it's so gorgeously cheery and catchy, and does not fail to almost bring tears to my eyes.

"Dreams Coming to An End" is a very welcome and upbeat punk song that I quickly fell in love with. The song is extremely catchy and reminiscent of classic melodic hardcore. It also keeps the flow of the album going from overall softer songs to more faster tempo songs, yet all seem to consistently remain hopeful sounding, despite how soft the songs are.

After "Incomplete", a very quick acoustic guitar intermission which breaks up the first half of the cd from the second half, comes "Worn Heels and the Hands We Hold". This song combines what feels like classic, and epic Envy melodies into a shorter and faster song. Although I wish it were a tad longer, it is a great track. It's not until "A Hint and the Incapacity" that again I want to explode of my own body. Following the typical and similar structure of "Light and Solitude" the guitars once again mingle and play, until suddenly every instrument is united in a stampede, or maybe even an avalanche of post-rock crescendos.

If you thought the band couldn't top their euphoria in the earlier songs, they prove you wrong with "A Breath Clad of Happiness". If the song title didn't give it away, this song literally is the most inspiring and 'happy' sounding tune they've ever done. The tremolo guitars sound like they are crying in blatant ecstasy. The CD comes back down a bit with "0 and 1", which took the longest to grow on me of all the tracks. It turns out, this might be the HEAVIEST Envy song they've ever written. It literally possess legitimate doom with the highly mixed bass, slow and steady drums, and droney guitars. It's an incredibly powerful piece and makes for a good overall conclusion of Recitation, but not until the final notes of the outro, "You Hand" which is a beautiful reprise of the opening track on the record, this time with strings.

Again, this may have been too soon for me to translate my thoughts on this CD into a huge mass of text and typing, but I can't hold back the feelings that this is once again another monumental album from Envy. Throughout the 66 minutes, it seems to encompass and touch base on everything they've tried to achieve over their existence, yet with a whole new and confident vibe. It might be a tad much to handle on the first few listens, especially since this is quite a bit of individual songs, but in the outcome, huge fans of Envy should be exceptionally pleased.

I know I am.

Wednesday, August 4, 2010

Highly Anticipated Release: Envy | Recitation


1. Guidance
2. Last Hours Of Eternity
3. Rain Clouds Running In A Holy Night
4. Pierces Of The Moon I Weaved
5. Lights And Solitude
6. Dreams Coming To An End
7. Imcomplete
8. Worn Heels And The Hands We Hold
9. A Hint And The Incapacity
10. A Breath Clad In Happiness
11. 0 And 1
12. Your Hand

-----

Finally Envy are coming out with a new record. One of the bands that drive me emotionally crazy more than you would imagine music to do so. Judging from the two songs I heard, "Dreams Coming To An End", a catchy punk driven song, and "0 And 1" a dark, doomy piece, I believe this will be the bands most diverse record, showcasing all of their sounds in one 60 minute opus. There have been rumors that this will be their final full length. I expect it to be nothing short of unbelievable.

Friday, July 16, 2010

Inception.


So here we are in 2010 and finally there's a great movie to watch. Ever since seeing Antichrist, now one of my favorite movies of all time, I seemed to have had nothing to look forward to. That was until I saw the trailers for Christopher Nolan's Inception. I purposely didn't follow it too closely, only knowing it involved dream sequences.

Inception is incredibly complex yet not pretentious in any shape or form. Not at one point are you totally lost, but rather you're trying to wrap your mind around the entire idea, while still maintaining to enjoy what's on the screen.

The movie's depth is unbelievable. The moods of the film shift seamlessly, keeping you on edge one second with intense action, then shifting to mindfuckery, then shifting to beautiful melancholic sequences, which are actually reminiscent to Leonardo DiCaprio's visions in his more recent Shutter Island, another film that's secured him into one of my new favorite actors. It's almost like the movie itself jumps from three layers of dreams within one on purpose. Genius.

Being a huge fan of The Fountain, an incredibly under-looked Daren Aronofsky film, I am immensely fond of gorgeous and rather depressing scenes of memory and remorse. Not until I saw Inception has a movie come close to capturing that sadness that Aronosfky did such a good job of portraying.

This movie is also incredibly smart. It forces you to grasp and understand so much information rather quickly as you're watching. If you're caught daydreaming at any point during this movie, there's a good chance that one small, or even big aspect of this movie could make no sense whatsoever.

What I love most about the film is although it's ridiculously far fetched, the almost metaphorical similarities with these futuristic dream sequences with real life dreams are amazing. Nolan's idea of an elevator of memories is one of the most brilliant ideas I've ever seen. 11 'stories' and a basement of absolute painstakingly, relentless REGRET. We all have dreams of memories and things we miss, which are often times tied in with regret. We can't seem to get rid of them. It's almost as if our subconscious locks those things in our mind only for our dreams. And we keep revisiting them. On accident. Only Don Cobb is so good at what he does, he designs these memories on purpose just to drive himself and his subconscious more insane. I LOVE IT.

Other than tie-ins with the dreams in the movie and the dreams of our reality, the movie is pretty literal, therefore, in the end no one should be totally confused. There are a few very small aspects of the film that could be metaphorical that others may think to be literal. Like any great film, there's room for speculation and theories for things left open and I'm glad for that.

Overall, once the movie ended, I was immediately shocked at how good it was but at the same time, I was confused about a few things. It took me some hours and more for the movie to fully sink in and for everything little by little to make so much sense. The reason is that there are so many layers and ideas going on in the movie that there's a good chance that you can become more attached to or distracted by one more-so than the others. Once the movie gets stuck in your head, which is inevitable, all the aspects of the film start to unfold for you in great detail. Either way, it's definitely a movie that deserves multiple viewings, and I'm sure it will be even more rewarding watching it for a second time.

I would go see it again right now if movies weren't so goddamn expensive.

At this point in time, Inception is the movie of the year.

Thursday, July 1, 2010

Clouds Collide

http://cloudscollide.tumblr.com/

Friday, June 25, 2010

Heaven In Her Arms | Paraselene


Note: I'm drunk.

Over a year ago I made a blog post about Heaven In Her Arms' last release, a very solid four song ep which was a follow up to an even more solid debut full length.

Come June 2010. The new record, Paraselene is now available for listening. For my ears. Will this be another solid screamo record with proper dramatic Envy b-sides from A Dead Sinking Story?

You would think.

Wrong.

In 54 minutes Paraselene showcases one of the darkest cds to come out this year. Don't question. This record is DARK. The atmosphere is unlike 95% of anything the genre of screamo has reached. In fact...this record is essentially only 5% screamo.

Through the 8 tracks on this record, which all run into one another, making it sound literally like it could be one huge ass track, the CD delves into several different genres and sounds that aren't normally apparent in screamo.

Sludge. Doom. Funeral doom. Drone. Atmospheric black metal. Post-rock.

It's a true sit-down-and-LISTEN type record. It deserves the full attention of your brain and the work of your ears. They will not be disappointed.

Heaven In Her Arms attempted at setting themselves apart with this record. They've succeeded. I only hope they receive the recognition and appreciation they deserve with Paraselene. I'm thinkin' top 10 material here. Listen to this record. I mean REALLY listen to it.

If you do that, this will as well appear in your top 10 albums of the year.

Thursday, June 10, 2010

I can't...


When I cannot, or I say I can't or cannot, it can mean a lot of different things. I'll break it down for you.
----
I can't...

believe what I'm hearing.

Comprehend.

I cannot ever amount to the greatness of...

I cannot can.

I can't not feel an unbelievable amount of emotions because of...

I can't wrap my mind around the quality of unbelievable-ness...

So on and so forth.

With Insomniac Doze, one of my favorite records of all time...

I FUCKING CAN'T. I JUST.......CAN'T.